|About the Book|
Critic-producer Nat Segaloff was granted access to private papers, production records, never-before-published interviews, and specialized archives in reconstructing the colorful, touching, and sometimes scandalous stories behind the making of theMoreCritic-producer Nat Segaloff was granted access to private papers, production records, never-before-published interviews, and specialized archives in reconstructing the colorful, touching, and sometimes scandalous stories behind the making of the last films of some of Hollywood’s top directors. Winningly readable and yet meticulously researched, its substantial entries range from Robert Aldrich and Robert Altman to Peter Yates and Fred Zinnemann, and John Ford and Howard Hawks to Otto Preminger and Richard Brooks. Certain to attract controversy because of whom it ignores as well as whom it includes, Final Cuts presents fifty widely varied chronicles of success and failure, inspiration and ennui, elation and heartache, and every other emotion enjoyed or endured by the greatest filmmakers that Hollywood ever knew.About the AuthorNat Segaloff always wanted to write and produce, but it took him several careers before he learned how to get paid for it. He was a journalist for The Boston Herald covering the motion picture business, but has also variously been a studio publicist (Fox, UA, Columbia), college teacher (Boston University, Boston College), on-air TV talent (Group W), entertainment critic (CBS radio) and author (nine books including Hurricane Billy: The Stormy Life and Films of William Friedkin and, as co-author, Love Stories: Hollywoods Most Romantic Movies). He has contributed career monographs on screenwriters Stirling Silliphant, Walon Green, Paul Mazursky and John Milius to the University of California Presss acclaimed Backstory series, and his writing has appeared in such varied periodicals as Film Comment, Written By, International Documentary, Animation Magazine, The Christian Science Monitor, Time Out (US), MacWorld, and American Movie Classics Magazine. He was also senior reviewer for AudiobookCafe.com.His The Everything® Etiquette Book and The Everything Trivia Book and The Everything® Tall Tales, Legends and Outrageous Lies Book are in multiple printings for Adams Media Corp.As a TV writer-producer, Segaloff helped perfect the format and create episodes for A&Es flagship Biography series. His distinctive productions include John Belushi: Funny You Should Ask- Shari Lewis & Lamb Chop- Larry King: Talk of Fame- Darryl F. Zanuck: Twentieth Century-Filmmaker and Stan Lee: The ComiX-MAN! He has written and co-produced the Rock n Roll Moments music documentaries for The Learning Channel/Malcolm Leo Productions, and has written and/or produced programming for New World, Disney, Turner and USA Networks. He is co-creator/co-producer of Judgment Day with Grosso-Jacobson Communications Corp. for HBO.His extraterrestrial endeavors include the cheeky sequel to the Orson Welles Invasion From Mars radio hoax, When Welles Collide, which featured a Star Trek® cast. It was produced by L.A. Theatre Works and has become a Halloween tradition on National Public Radio. In 1996 he formed the multi-media production company Alien Voices® with actors Leonard Nimoy and actor John de Lancie and produced five best-selling, fully dramatized audio plays for Simon & Schuster: The Time Machine, Journey to the Center of the Earth, The Lost World, The Invisible Man and The First Men in the Moon, all of which feature Star Trek® casts. Additionally, his teleplay for The First Men in the Moon was the first-ever TV/Internet simulcast and was presented live by The Sci-Fi Channel. He has also written narrative concerts for the Los Angeles Philharmonic, celebrity events, is a script consultant, and was a contributing writer to Moving Pictures magazine.Nat is the co-author of The Waldorf Conference, a comedy-drama about the secret meeting of studio moguls that began the Hollywood Blacklist.